V/A – Affinity #2 (Affin Records)
Joachim Spieth’s label Affin is now a decade into its existence, and continuing to provide a profoundly contemporary and continental vision of techno that specialises in the sort of deep, aquatic sound which has been in ascension for a while now. The three tracks, taken from Spieth himself, label regular Reggy Van Oers and Glaswegian artist Deepbass, draw on this take on techno.
While each of them bring their own ideas to the table, there is a unity of form here, a foundation which is built not so much from grooves but from hypnotic movement created from the weave of sonic textures and the interplay of the thick moods on offer. Van Oers’ offering, the misty Place Of Offering is shadowy and faint, a kaleidoscope of pads and fluttering emotions which are almost transluscent. The beats, concrete and pronounced, marshal effectively but never inject the tune with life. Instead, it is the complexity, and almost rhythmic nature of the synths, which carry things forward. Speith’s entry, Shadows, is in some senses a similar proposition. The difference here is that the synths create a drifting, cloudy, and melodic world of darkened hues and glistening tones where the simple roll of the kicks underpins the surging elemental nature of the tune’s ghostly wash.
Deepbass’s Affinity is a more straight up affair in some ways. Both heavier and lithe, less concerned with the finely worked details, it drags straight away into a tight, rolling and deeply hypnotic builder which nods its head to the deep, wonky, techno of the past while warming up the snapping beats with a spring of weathered funk, gradually letting the few, well worked sounds take more and more limelight until it climbs into the night.
M_Step – Cold Dust (Trust)
M_Step’s début on DJ Glow’s Trust label seems to have been on its way for a while now, but the long wait hasn’t been in vain. Here in 2017, with electro seemingly beginning to drip out of every space, Cold Step’s arrival has been made even more welcome by the way in which is has circumvented by a noticeable margin a lot of what’s been going down in the scene, instead delivering up some electro which comes at us from a definite tangent.
While a lot of the current sounds in the genre seemed to have recently been involved in a competition to see just how deep they can go, Cold Dust instead furnishes us with some slower, moodier grooves that buck the trend. Any pretensions of deepness are speedily replaced with a keen ear for not only crisp, low slung beats, but a sort of angelic energy which takes its lead from early Detroit’s more soulful moments.
Opener Xylograph carries a bumping vibe from the off, carving out little rivulets of funk from lazy-stepping breaks and tightening everything up with some loose, rollicking bass and glissading pads which lend the tune a sleepy-eyed swagger. Cold Dust itself replaces the breaks with a cantering 4/4, catching a sodium-light glimmer full of little touches and flickering chord progressions which builds it into something shining with burnished melody and quiet, nervous drama.
The stand out though is Annabelle. It combines Cold Dust’s midnight moodiness with brusque, brisk, breaks and slivers of high, heavenly strings along side a growling acid bass which recalls something of Boris Divider’s more serene moments. Towards the end, when little drifting petals of Rhythim is Rhythim-esque melody alight, the tune breaks through to become genuine high-tech soul. Superb. And a not so gentle reminder that all the careful sound design in the world won’t bring the deepness if you forget the emotion. A great début on a great label.