Best Of The Represses: June 2017

Sorry for the lack of updates. I’ve been working, on holiday, and watching things go weird in my down time. I’ve also been taking stock of the big wide world of electronica and thinking about things. All sorts of things. Anyway. Here’s three choice picks for this, the allegedly the first month of summer:

DJ Bone – Riding The Thin Line (Another Day)

This has been up there in the top five of my personal repress wishlist for a very long time now and I’m delighted it’s finally available. Originally released on Metroplex, this is simply DJ Bone at his peak. A Peerless blast of brain twisting techno and electro, from the cosmic-tribalist stomp of Shut The Lites Off to The Funk with it’s tight, stark, and sparse collision of wiry beats, bass wonk, and robots-gone-feral vocals this is a record you really shouldn’t be without. The whole thing is close to techno perfection as you’re going to get without dying and going to techno heaven. Shipping at the end of the month, although you can get the DL right now if you buy from the Bandcamp page. I don’t know why you’re even still sitting here reading this.

The one thing that confuses me is why this isn’t part of Metroplex’s own current repress schedule. While I’m obviously happy to have it again in any forms, the nerd in me would love it to have the original art. Anyone know why? Answers on a postcard to the usual address. I bet the magic word here is ‘licence’. I’m beginning to hate that word.

D’Arcangelo – D’Arcangelo EP (Suction Canada)

Another record which has made the jump from its original home is this 1996 EP by Italian outfit D’Arcangelo. First out on the much missed Rephlex, it’s not hard to see why it found a place in the Aphex Twin’s own stable. Pushing between bone snapping, hard as nails, experimentalist industria, and something akin to Kraftwerk having a happy picnic in the country, there’s no doubt it’s a brain masher; the way it jumps from the mind shredding heaviness of the A-side to the complex, smiling, and frequently beautiful, melody led material on the B might leave you wondering what the hell is going on, but it’s also indicative of a pair of producers rich with ideas and who weren’t scared to keep themselves out in front of the genre trap.

While the searing Somewhere In Time still does the damage after 21 years, the real keeper here, for my money, is the gorgeous, snare-flaring, Diagram VII (80’s Mix). That such a trippy, wistful and grinning piece of sunshine can wander into existence after the record’s distortion drenched openers is a minor source of amazement. That it sounds like the theme to a long-lost 80’s travel show, or a schools program about European countries, just makes it even better.

Glenn Underground – Atmosfear (Peacefrog Record)

Peacefrog’s much discussed repress schedule is finally getting some steam up. We recently had a bunch of Theo Parrish and a Moodyman re-releases, but the label’s back catalogue contains so many bona-fide classics we can’t help but lick our lips in excitement over what might be coming back out further down the line. Most people will be ferverently praying for a nice fat vinyl reissue of DBX’s Losing Control but there are so many more possibilities you could go mad from thinking about it.

Glenn Underground’s Atmosfear should hold most of us over for the time being. Heck, it should do more than that because this really is a pretty special album. This isn’t ‘deep house’ – it’s just house done the way it used to be done: soulful, fluid, iridescent, and chilled. While listening back to it for the first time in a long, long time, you might notice it runs to chunkyness here and there in a way you don’t remember, but it still brings enough charm and panache to win over all but the most diehard of macho, black jeans wearing, technopods.

Tunes like the sunset tinged Israelee Night Falls aren’t simply classics, but are ingrained now in house music’s conciousness. Elsewhere, the jacking Colouration, and Soundstruck, weave funk around the most louche and laidback beats imaginable. Bonus shout out to the slightly tongue in cheek title of May Datroit and its wee homage to a city not too far away.

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